The Big Four - Christie Agatha - Страница 18

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"He returns late," I mused, pursuing a hypothetical case. "Sees the light in his uncle's study, enters, and, finding his plan has failed, thrusts the old man down into the fire."

"Mr. Paynter, who was a fairly hearty man of fifty five, would not permit himself to be burnt to death without a struggle, Hastings. Such a reconstruction is not feasible."

"Well, Poirot," I cried, "we're nearly there, I fancy.

Let us hear what you think?"

Poirot threw me a smile, swelled out his chest, and began in a pompous manner.

"Assuming murder, the question at once arises, why choose that particular method? I can think of only one reason-to confuse identity, the face being charred beyond recognition."

"What?" I cried. "You think-"

"A moment's patience, Hastings. I was going on to say that I examine that theory. Is there any ground for believing that the body is not that of Mr. Paynter? Is there any one else whose body it possibly could be? I examine these two questions and finally I answer them both in the negative."

"Oh!" I said, rather disappointed. "And then?"

Poirot's eyes twinkled a little.

"And then I say to myself, 'since there is here something that I do not understand, it would be well that I should investigate the matter. I must not permit myself to be wholly engrossed by the Big Four.' Ah! we are just arriving. My little clothes brush, where does it hide itself? Here it is-brush me down, I pray you, my friend, and then I will perform the same service for you."

"Yes," said Poirot thoughtfully, as he put away the brush, " one must not permit oneself to be obsessed by one idea. I have been in danger of that. Figure to yourself, my friend, that even here, in this case, I am in danger of it. Those two lines you mentioned, a downstroke and a line at right angles to it, what are they but the beginning of a 4? "

"Good gracious, Poirot," I cried, laughing.

"Is it not absurd? I see the hand of the Big Four everywhere. It is well to employ one's wits in a totally different milieu. Ah! there is Japp come to meet us." 7fX«^

The Scotland Yard Inspector was, indeed, waiting on the platform, and greeted us warmly.

"Well, Moosior Poirot, this is good. Thought you'd like to be let in on this. Tip-top mystery, isn't it?"

I read this aright as showing Japp to be completely puzzled and hoping to pick up a pointer from Poirot.

Japp had a car waiting, and we drove up in it to Croftlands. It was a square, white house, quite unpretentious, and covered with creepers, including the starry yellow jasmine. Japp looked up at it as we did.

"Must have been balmy to go writing that, poor old cove," he remarked. "Hallucinations, perhaps, and thought he was outside."

Poirot was smiling at him.

"Which was it, my good Japp?" he asked; "accident or murder?" 

The Inspector seemed a little embarrassed by the question.

"Well/if it weren't for that curry business, I'd be for accident every time. There's no sense in holding a live man's head in the fire-why, he'd scream the house down."

"Ah!" said Poirot in a low voice. "Fool that I have been. Triple imbecile! You are a cleverer man than I am, Japp."

Japp was rather taken aback by the compliment-Poirot being usually given to exclusive self-praise. He reddened and muttered something about there being a lot of doubt about that.

He led the way through the house to the room where the tragedy had occurred-Mr. Paynter's study. It was a wide, low room, with book-lined walls and big leather armchairs.

Poirot looked across at once to the window which gave upon a gravelled terrace.

"The window, it was unlatched?" he asked.

"That's the whole point, of course. When the doctor left this room, he merely closed the door behind him.

The next morning it was found locked. Who locked it?

Mr. Paynter? Ah Ling declares that the window was closed and bolted. Dr. Quentin, on the other hand, has an impression that it was closed, but not fastened, but he won't swear either way. If he could, it would make a great difference. If the man was murdered, some one entered the room either through the door or the window -if through the door, it was an inside job; if through the window, it might have been any one. First thing when they had broken the door down, they flung the window open, and the housemaid who did it thinks that it wasn't fastened, but she's a precious bad witness- will remember anything you ask her to!"

"What about the key?"

"There you are again. It was on the floor among the wreckage of the door. Might have fallen from the keyhole, might have been dropped there by one of the people who entered, might have been slipped underneath the door from the outside."

"In fact everything is 'might have been'?"

"You've hit it, Moosior Poirot. That's just what it is."

Poirot was looking round him, frowning unhappily.

"I cannot see light," he murmured. "Just now-yes, I got a gleam, but now all is darkness once more. I have not the clue-the motive."

"Young Gerald Paynter had a pretty good motive," remarked Japp grimly. "He's been wild enough in his time, I can tell you. And extravagant. You know what artists are, too-no morals at all."

Poirot did not pay much attention to Japp's sweeping strictures on the artistic temperament. Instead he smiled knowingly.

"My good Japp, is it possible that you throw the mud in my eyes? I know well enough that it is the Chinaman you suspect. But you are so artful. You want me to help you-and yet you drag the red kipper across the trail."

Japp burst out laughing.

"That's you all over, Mr. Poirot. Yes, I'd bet on the Chink, I'll admit it now. It stands to reason that it was he who doctored the curry, and if he'd try once in an evening to get his master out of the way, he'd try twice."

"I wonder if he would," said Poirot softly.

"But it's the motive that beats me. Some heathen revenge or other, I suppose."

"I wonder," said Poirot again. "There has been no robbery? Nothing has disappeared? No jewellery, or money, or papers?" 100 Agatha Christie "No-that is, not exactly."

I pricked up my ears; so did Poirot.

"There's been no robbery, I mean," explained Japp.

"But the old boy was writing a book of some sort. We only knew about it this morning when there was a letter from the publishers asking about the manuscript. It was just completed, it seems. Young Paynter and I have searched high and low, but can't find a trace of it-he must have hidden it away somewhere."

Poirot's eyes were shining with the green light I knew so well.

"How was it called, this book?" he asked.

"The Hidden Hand in China, I think it was called."

"Aha!" said Poirot, with almost a gasp. Then he said quickly, "Let me see the Chinaman, Ah Ling."

The Chinaman was sent for and appeared, shuffling along, with his eyes cast down, and his pigtail swinging.

His impassive face showed no trace of any kind of emotion.

"Ah Ling," said Poirot, "are you sorry your master is dead?"

"I welly sorry. He good master."

"You know who kill him?"

"I not know. I tell pleeceman if I know."

The questions and answers went on. With the same impassive face. Ah Ling described how he had made the curry. The cook had had nothing to do with it, he declared, no hand had touched it but his own. I wondered if he saw where his admission was leading him. He stuck to it too, that the window to the garden was bolted that evening. If it was open in the morning, his master must have opened it himself. At last Poirot dismissed him.

"That will do, Ah Ling." Just as the Chinaman had got to the door, Poirot recalled him. "And you know nothing, you say, of the Yellow Jasmine?"

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