From Potter's Field - Cornwell Patricia - Страница 57

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The unmarked car halted at my rear, and instantly an MP in uniform was at my driver's door with pistol drawn. My heart seemed to stop.

'Get out and put your hands up in the air!' he ordered.

I sat perfectly still.

He stepped back and I realized the guard was saying something to him. Then the guard emerged from his booth and the MP tapped on my glass. I rolled down my window while the MP lowered his gun, his eyes not leaving me. He did not look a day over nineteen.

'You're going to have to get out, ma'am.' The MP was hateful because he was embarrassed.

'I will if you'll holster your weapon and move out of my way,' I said as the Academy guard stepped back. 'And I have a pistol on the console between the front seats. I'm just telling you so you aren't startled.'

'Are you DBA?' he demanded as he surveyed my Mercedes.

He had what looked like gray adhesive residue for a mustache. My blood was roaring. I knew he was going to put on a manly show because the Academy guard was watching.

I was out of my car now, blue lights throbbing on our faces.

'Am I DBA?' I glared at him.

'Yes.'

'No.'

'Are you FBI?'

'No.'

He was getting more disconcerted. 'Then what are you, ma'am?'

'I am a forensic pathologist,' I said.

'Who is your supervisor?'

'I don't have a supervisor,'

'Ma'am, you have to have a supervisor.'

'The governor of Virginia is my supervisor.'

'I'll have to see your driver's license,' he said.

'Not until you tell me what I am being charged with.'

'You were going forty-five in a thirty-five-mile-an-hour zone. And you attempted to elude.'

'Do all people who attempt to elude military police drive straight to a guard booth?'

'I must have your driver's license.'

'And let me ask you, Private,' I said, 'just why do you imagine I didn't pull over on this godforsaken road after dark?'

'I really don't know, ma'am.'

'Unmarked cars rarely make traffic stops, but psychopaths often do.'

Bright blue pulsed on his pathetically young face. He probably did not know what a psychopath was.

'I will never stop for your unmarked Chevrolet if you and I repeat this misadventure for the rest of our lives. Do you understand?' I said.

A car sped from the direction of the Academy and halted on the other side of the guard booth.

'You drew down on me,' I said, outraged, as a car door shut. 'You pulled a goddam nine-millimeter pistol and pointed it at me. Has no one in the Marine Corps taught you the meaning of unnecessary force?'

'Kay?' Benton Wesley appeared in the pulsing dark.

I realized the guard must have called him, but I did not understand why Wesley would be here at this hour. He could not have come from home. He lived almost in Fredericksburg.

'Good evening,' he sternly said to the MP.

They stepped aside and I could not hear what they said. But the MP walked back to his small, bland car. Blue lights quit and he drove away.

'Thanks,' Wesley said to the guard. 'Come on,' he said to me. 'Follow me.'

He did not drive into the parking lot I usually used but to reserved spaces behind Jefferson. There was no other car in the lot but a big pickup truck I recognized as Marino's. I got out.

'What is going on?' I asked, my breath smoky in the cold.

'Marino's down in the unit.' Wesley was dressed in a dark sweater and dark slacks, and I sensed something had happened.

'Where's Lucy?' I quickly said.

He did not answer as he inserted his security card into a slot, opening a back door.

'You and I need to talk,' he said.

'No.' I knew what he meant. 'I am too worried.'

'Kay, I am not your enemy.'

'You have seemed like it at times.'

We walked quickly and did not bother with the elevator.

'I'm sorry,' he said. 'I love you and don't know what to do.'

'I know.' I was shaken. 'I don't know what to do, either. I keep wanting someone to tell me. But I don't want this, Benton. I want what we've had and I don't want it ever.'

For a while he did not speak.

'Lucy got a hit on CAIN,' he eventually said. 'We've deployed HRT.'

'Then she's here,' I said, relieved.

'She's in New York. We're on our way there.' He looked at his watch.

'I don't understand,' I said as our feet sounded on stairs.

We moved swiftly down a long corridor where hostage negotiators spent their days when they weren't abroad talking terrorists out of buildings and hijackers out of planes.

'I don't understand why she's in New York,' I said, unnerved. 'Why does she need to be there?'

We walked into his office, where Marino was squatting by a tote bag. It was unzipped, and next to it on the carpet were a shaving kit and three loaded magazines for his Sig Sauer. He was looking for something else and glanced up at me.

He said to Wesley, 'Can you believe it? I forgot my razor.'

'They have them in New York,' Wesley said, his mouth grim.

'I've been in South Carolina,' I said. 'I talked to the Gaults.'

Marino stopped digging and stared up at me. Wesley sat behind his desk.

'I hope they don't know where their son is staying,' he said oddly.

'I have no indication that they do.' I looked curiously at him.

'Well, maybe it doesn't matter.' He rubbed his eyes. 'I just don't want anyone tipping him off.'

'Lucy kept him on CAIN long enough for the call to be traced,' I assumed.

Marino got up and sat in a chair. He said, 'The squirrel's got a crib right on Central Park.'

'Where?' I asked.

'The Dakota.'

I thought of Christmas Eve when we were at the fountain in Cherry Hill. Gault could have been watching. He could have seen our lights from his room.

'He can't afford the Dakota,' I said.

'You remember his fake ID?' Marino asked. 'The Italian guy named Benelli?'

'It's his apartment?'

'Yes,' Wesley answered. 'Mr. Benelli apparently is a flamboyant heir to a considerable family fortune.

Management has assumed the current occupant -Gault - is an Italian relative. At any rate, they don't ask many questions there, and he's been speaking with an accent. It also is very convenient because Mr. Benelli does not pay his rent. His father in Verona does.'

'Why can't you go into the Dakota and get Gault?' I asked. 'Why can't HRT do that?'

'We could, but I'd rather not. It's too risky,' Wesley said. 'This isn't war, Kay. We don't want any casualties, and we are bound by law. There are people inside the Dakota who could get hurt. We don't know where Benelli is. He could be in the room.'

'Yeah, in a plastic bag in a steamer trunk,' Marino said.

'We know where Gault is and we have the building under surveillance. But Manhattan is not where I would have chosen to catch this guy. It's too damn crowded. You get in an exchange of firepower - I don't care how good you are - and someone's going to get hit. Someone else is going to die. A woman, a man, a child who just happens to walk out at the wrong time.'

'I understand,' I said. 'I'm not disagreeing with you. Is Gault in the apartment now? And what about Carrie?'

Wesley said, 'Neither has been sighted, and we have no reason to suspect Carrie travels with him.'

'He hasn't used my charge card to buy her plane tickets,' I considered. 'That much I can tell.'

'We do know Gault was in the apartment as recently as eight o'clock this evening,' Wesley said.

'That's when he got on the line and Lucy trapped him.'

'She trapped him?' I looked at both men, 'She trapped him from here and now she's gone? Did she get deployed with HRT?'

I had a bizarre image of Lucy in black boots and fatigues being loaded on a plane at Andrews Air Force Base. I imagined her with a group of supremely fit helicopter pilots, snipers and experts in explosives, and my incredulity grew.

Wesley met my eyes. 'She's been in New York for the past couple of days. She's working on the Transit Police computer. She got the hit in New York.'

'Why not work here where CAIN is located?' I wanted to know, because I did not want Lucy in New York. I did not want her in the same state where Temple Gault was.

'Transit's got an extremely sophisticated system,' he said.

Marino spoke. 'It's got things we don't have, Doc.'

'Like what?'

'Like a computerized map of the entire subway system.' Marino leaned closer to me, forearms resting on his knees. He understood what I was feeling. I could see it in his eyes. 'We think that's how Gault's been getting around.'

Wesley explained, 'We think Carrie Grethen somehow got Gault into the Transit Police computer, through CAIN. He was able to map out for himself a way to move around the city through the tunnels, so he could get his drugs and commit his crimes.

He has had access to detailed diagrams that include stations, catwalks, tunnels and escape hatches.'

'What escape hatches?' I asked.

'The subway system has emergency exits that lead out of the tunnels, in the event a train should have to stop for some reason down there. Passengers can be routed through an emergency exit that will bring them back above ground. Central Park has a number of them.'

Wesley got up and went to his suitcase. He opened it and pulled out a thick roll of white paper. Removing the rubber band, he spread open very long drawings of New York's subway system that included all tracks and structures, every manhole, trash can, car marker, platform edge. The diagrams covered most of his office floor, some more than six feet long. I studied them, fascinated.

'This is from Commander Penn,' I said.

'Right,' Wesley replied. 'And what's on her computer is even more detailed. For example' - he squatted, pointing and moving his tie out of the way - 'in March of 1979, turnstiles at CB number 300 were removed. That's right here.' He showed me on a drawing of the 110th Street station at Lenox Avenue and 112th Street.

'And a change like that now,' he went on, 'goes directly into the Transit Police computer system.'

'Meaning that any changes are instantly reflected on the computerized maps,' I said.

'Right.' He pulled another drawing closer, this one of the Eighty-first Street Museum of Natural History station. 'Now the reason we think Gault is using these maps is right here.' He tapped an area on the field survey that indicated an emergency exit very near Cherry Hill.

'If Gault was looking at this drawing,' Wesley went on, 'he most likely would choose this emergency exit as the one to come in and out of when he committed the murder in Central Park. That way he and his victim could travel unseen through the tunnels after leaving the museum, and when they surfaced in the park they would be very close to the fountain where he planned to display the body.

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