The Dain Curse - Hammett Dashiell - Страница 30
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Her photographs had been distributed and published widely. The newspapers, from San Diego to Vancouver, gave us a tremendous play, whooping it up in all the colored ink they had. All the San Francisco and Los Angeles Continental operatives who could be pulled off other jobs were checking Quesada's exits, hunting, questioning, finding nothing. Radio broadcasters helped. The police everywhere, all the agency's branches, were stirred up.
And by Monday all this hubbub had brought us exactly nothing.
Monday afternoon I went back to San Francisco and told all my troubles to the Old Man. He listened politely, as if to some moderately interesting story that didn't concern him personally, smiled his meaningless smile, and, instead of any assistance, gave me his pleasantly expressed opinion that I'd eventually succeed in working it all out to a satisfactory conclusion.
Then he told me that Fitzstephan had phoned, trying to get in touch with me. "It may be important. He would have gone down to Quesada to find you if I hadn't told him I expected you."
I called Fitzstephan's number.
"Come up," he said. "I've got something. I don't know whether it's a fresh puzzle, or the key to a puzzle; but it's something."
I rode up Nob Hill on a cable car and was in his apartment within fifteen minutes.
"All right, spring it," I said as we sat down in his paper-, magazine-, and book-littered living room.
"Any trace of Gabrielle yet?" he asked.
"No. But spring the puzzle. Don't be literary with me, building up to climaxes and the like. I'm too crude for that-it'd only give me a bellyache. Just spread it out for me."
"You'll always be what you are," he said, trying to seem disappointed and disgusted, but not succeeding because he was-inwardly-too excited over something. "Somebody-a man-called me up early Saturday morning-half-past one-on the phone. He asked: 'Is this Fitzstephan?' I said: 'Yes;' and then the voice said: 'Well, I've killed him.' He said it just like that. I'm sure of those exact words, though they weren't very clear. There was a lot of noise on the line, and the voice seemed distant.
"I didn't know who it was-what he was talking about. I asked: 'Killed who? Who is this?' I couldn't understand any of his answer except the word 'money.' He said something about money, repeating it several times, but I could understand only that one word. There were some people here-the Marquards, Laura Joines with some man she'd brought, Ted and Sue Van Slack-and we had been in the middle of a literary free-for-all. I had a wisecrack on my tongue-something about Cabell being a romanticist in the same sense that the wooden horse was Trojan-and didn't want to be robbed of my opportunity to deliver it by this drunken joker, or whoever he was, on the phone. I couldn't make heads or tails of what he was saying, so I hung up and went back to my guests.
"It never occurred to me that the phone conversation could have had any meaning until yesterday morning, when I read about Collinson's death. I was at the Colemans', up in Ross. I went up there Saturday morning, for the week-end, having finally run Ralph to earth." He grinned. "And I made him glad enough to see me leave this morning." He became serious again. "Even after hearing of Collinson's death, I wasn't convinced that my phone call was of any importance, had any meaning. It was such a silly sort of thing. But of course I meant to tell you about it. But look-this was in my mail when I got home this morning."
He took an envelope from his pocket and tossed it over to me. It was a cheap and shiny white envelope of the kind you can buy anywhere. Its corners were dark and curled, as if it had been carried in a pocket for some time. Fitzstephan's name and address had been printed on it, with a hard pencil, by someone who was a rotten printer, or who wanted to be thought so. It was postmarked San Francisco, nine o'clock Saturday morning. Inside was a soiled and crookedly torn piece of brown wrapping paper, with one sentence-as poorly printed with pencil as the address— on it:
ANY BODY THAT WANTS MRS. CARTER
CAN HAVE SAME BY PAYING $10000-
There was no date, no salutation, no signature.
"She was seen driving away alone as late as seven Saturday morning," I said. "This was mailed here, eighty miles away, in time to be postmarked at nine-taken from the box in the first morning collection, say. That's one to get wrinkles over. But even that's not as funny as its coming to you instead of to Andrews, who's in charge of her affairs, or her father-in-law, who's got the most money."
"It is funny and it isn't," Fitzstephan replied. His lean face was eager. "There may be a point of light there. You know I recommended Quesada to Collinson, having spent a couple of months there last spring finishing _The Wall of Ashdod_, and gave him a card to a real estate dealer named Rolly-the deputy sheriff's father-there, introducing him as Eric Carter. A native of Quesada might not know she was Gabrielle Collinson, nйe Leggett. In that case he wouldn't know how to reach her people except through me, who had sent her and her husband there. So the letter is sent to me, but starts off _Anybody that_, to be passed on to the interested persons."
"A native might have done that," I said slowly; "or a kidnapper who wanted us to think he was a native, didn't want us to think he knew the Collinsons."
"Exactly. And as far as I know none of the natives knew my address here."
"How about Rolly?"
"Not unless Collinson gave it to him. I simply scribbled the introduction on the back of a card."
"Said anything to anybody else about the phone call and this letter?" I asked.
"I mentioned the call to the people who were here Friday night— when I thought it was a joke or a mistake. I haven't shown this to anybody else. In fact," he said, "I was a little doubtful about showing it at all— and still am. Is it going to make trouble for me?"
"Yeah, it will. But you oughtn't mind that. I thought you liked first-hand views of trouble. Better give me the names and addresses of your guests. If they and Coleman account for your whereabouts Friday night and over the week-end, nothing serious will happen to you; though you'll have to go down to Quesada and let the county officials third-degree you."
"Shall we go now?"
"I'm going back tonight. Meet me at the Sunset Hotel there in the morning. That'll give me time to work on the officials-so they won't throw you in the dungeon on sight."
I went back to the agency and put in a Quesada call. I couldn't get hold of Vernon or the sheriff, but Cotton was reachable. I gave him the information I had got from Fitzstephan, promising to produce the novelist for questioning the next morning.
The marshal said the search for the girl was still going on without results. Reports had come in that she had been seen-practically simultaneously-in Los Angeles, Eureka, Carson City, Denver, Portland, Tijuana, Ogden, San Jose, Vancouver, Porterville, and Hawaii. All except the most ridiculous reports were being run out.
The telephone company could tell me that Owen Fitzstephan's Saturday morning phone-call had not been a long distance call, and that nobody in Quesada had called a San Francisco number either Friday night or Saturday morning.
Before I left the agency I visited the Old Man again, asking him if he would try to persuade the district attorney to turn Aaronia Haldorn and Tom Fink loose on bail.
"They're not doing us any good in jail," I explained, "and, loose, they might lead us somewhere if we shadowed them. He oughtn't to mind: he knows he hasn't a chance in the world of hanging murder-raps on them as things now stack up."
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