Лучшие любовные истории / The Best Love Stories - Гарди Томас - Страница 4

But there was still such a reserve in Beatrice’s behavior, that the idea of breaking through it scarcely occurred to his mind. They loved; their eyes conveyed the holy secret from one soul to the other; and yet there had been no touch of lips, or hands. He had never touched one of the ringlets of her hair or dress – so great was the physical barrier between them. On the few occasions when Giovanni was about to overstep the limit, Beatrice grew so sad, that not a word was necessary to stop him. At such times he was startled at the horrible suspicions that rose, monster-like, in his heart; his love grew thin and faint as the morning mist. But, when Beatrice’s face brightened again, she was no longer the mysterious, questionable being whom he had watched with so much horror; she was now the beautiful girl whom he knew.

A considerable time had now passed since Giovanni’s last meeting with Baglioni. One morning, however, he was unpleasantly surprised by a visit from the professor, whom he had scarcely thought of for whole weeks, and would gladly forget still longer. He could tolerate no companions except those having sympathy with his present feeling. Such sympathy was not to be expected from Professor Baglioni.

The visitor talked carelessly for a few moments about the gossip of the city and the university, and then took up another topic.

“I have been reading an old classic author lately,” said he, “and met with a story that strangely interested me. Possibly you may remember it. It is of an Indian prince, who sent a beautiful woman as a present to Alexander the Great. She was as lovely as the dawn and gorgeous as the sunset; but what was special about her was a certain rich perfume in her breath – richer than a garden of Persian roses. Alexander fell in love at first sight with this magnificent stranger; but a physician, happening to be present,[21] discovered a terrible secret of her.”

“And what was that?” asked Giovanni, turning his eyes down to avoid those of the professor.

“That this lovely woman,” continued Baglioni, “had been fed with poisons from her birth upward,[22] until her whole body was so full of them that she herself had become the deadliest poison in the world. Poison was her element of life. With the rich perfume of her breath she poisoned the very air. Her love would have been poison – her embrace death. Is not this a marvellous tale?”

“A childish tale,” answered Giovanni, nervously starting from his chair. “I marvel how you, Professor, find time to read such nonsense among your studies.”

“By the way,” said the professor, looking about him, “what singular fragrance is this in your apartment? Is it the perfume of your gloves? It is faint, but delicious; and yet, after all, not pleasant. Were I to breathe it long,[23] I think it would make me ill. It is like the breath of a flower; but I see no flowers in the room.”

“There are not any,” replied Giovanni, who had turned pale as the professor spoke; “I do not think, there is any fragrance except in your imagination. The recollection of a perfume, the idea of it, may easily be mistaken for a present reality.”

“Ay; but my sober imagination does not often play such tricks,” said Baglioni. “Our friend Rappaccini, as I have heard, makes medicines with rich odors. Doubtless, the learned Signora Beatrice would give her patients draughts as sweet as a girl’s breath; but woe to him that sips them![24]”

Giovanni’s face showed many emotions. The tone in which the professor spoke of the lovely daughter of Rappaccini was hard for him to hear; and yet the view of her character opposite to his own gave way to a thousand suspicions. But he tried hard not to pay attention to them and to respond to Baglioni with a true lover’s perfect faith.

“Signor professor,” said he, “you were my father’s friend; perhaps, too, you want to behave like a true friend of his son. I should feel nothing towards you save respect; but, signor, there is one subject on which we must not speak. You do not know the Signora Beatrice.”

“Giovanni! my poor Giovanni!” answered the professor, with an expression of pity, “I know this girl better than yourself. You must hear the truth about the poisoner Rappaccini and his poisonous daughter; yes, as poisonous as she is beautiful. Listen; for, even should you do violence to my gray hairs, it shall not silence me.[25] That old tale of the Indian woman has become a truth by the deadly science of Rappaccini and in the person of the lovely Beatrice.”

Giovanni hid his face.

“Her father’s natural love for his child,” continued Baglioni, “did not stop him from making her the victim of his insane zeal for science; for, let us do him justice,[26] he is as true a man of science. What, then, will be your fate? Beyond a doubt you are selected as the material of some new experiment. Perhaps the result is to be death; perhaps a fate more awful still. Rappaccini, with what he calls the interest of science, will hesitate at nothing.”

“It is a dream,” murmured Giovanni to himself; “it must be a dream.”

“But,” said the professor, “cheer up, son of my friend. It is not yet too late for the rescue. Possibly we may even bring back this miserable child within the limits of ordinary nature, from which her father’s madness has taken her. Look at this little silver vase! It was made by the hands of the famous Benvenuto Cellini,[27] and is worthy to be a love gift to the most beautiful girl in Italy. But its contents are invaluable. One little sip of this antidote would make the most virulent poisons of the Borgias[28] harmless. I do not doubt that it will be as effective against those of Rappaccini. Give the vase to your Beatrice, and wait for the result.”

Baglioni put a small silver vase on the table and went out, leaving what he had said to produce its effect upon the young man’s mind.

“We will fight Rappaccini,” thought he, as he went down the stairs; “but, to tell the truth of him, he is a wonderful man – a wonderful man not to be tolerated by those[29] who respect the good old rules of the medical profession.”

As long as Giovanni had known Beatrice, he had had some doubts as to her character; yet she seemed to him such a simple and natural girl, that the image now held up by Professor Baglioni looked strange and incredible. True, he could not quite forget the bouquet that faded in her hands, and the insect killed in the air by the fragrance of her breath. These incidents, however, were now taken as mistaken fantasies. There is something truer and more real than what we can see with the eyes and touch with the finger. On such better evidence had Giovanni built his faith in Beatrice. But now he was not able to stay at the height to which the early enthusiasm of passion had raised him; he fell down, suffering from doubts. Not that he gave her up; he did but distrust.[30] He decided to make a test that would satisfy him, once for all,[31] whether there was something dreadful in her physical nature and something monstrous in her soul. His eyes, gazing down afar, might have deceived him as to the lizard, the insect, and the flowers; but if he could witness, at the distance of a few steps, the sudden fading of one fresh flower in Beatrice’s hand, there would be room for no further question.[32] With this idea he bought a bouquet of fresh flowers cut only that morning.