Bleeding Edge - Pynchon Thomas - Страница 40
- Предыдущая
- 40/106
- Следующая
Scream, Blacula, Scream, no, not exactly—a little more homemade. Opening with a jittery traveling shot out a car window. Late-afternoon winter light. The Long Island Expressway, eastbound. Maxine begins to grow apprehensive. Jumpcut to an exit sign—aahhh! Exit 70, this is going exactly where she was hoping it wouldn’t, yes another jump now to Route 27, and we are heading, you could say condemned, to the Hamptons. Who would dislike her enough to send her something like this, unless Marvin got the address wrong, which never happens, of course.
She’s relieved in a way to see it isn’t going to be the Hamptons of legend, at least. She has spent more time there than it was worth. This is more like Fringehampton, where the working population are often angry to the point of homicide because their livelihoods depend on servicing the richer and more famous, up to whom they must never miss a chance to suck. Time-battered houses, scrub pine, roadside businesses. No lights or decorations up, so the winter here must be in the deep and dateless vacancy after the holiday season.
The shot enters a dirt road lined with shacks and trailers, and approaches what at first seems like a roadhouse because every window is pouring light, people are wandering around in and out of the place, sounds of jollification and a music track including Motor City psychobilly Elvis Hitler, at the moment singing the Green Acres theme to the tune of “Purple Haze” and providing Maxine an unmeasured moment of nostalgia so unlikely that she begins to feel targeted personally.
The camera moves up the front steps and into the house, shouldering aside partygoers, through a couple of rooms littered with beer and vodka bottles, glassine envelopes, unmatched shoes, pizza boxes and fried chicken containers, on through the kitchen to a door and down into the basement, to a particular concept of the suburban rec room . . .
Mattresses on the floor, a king-size fake angora bedspread in a shade of purple peculiar to VHS tape, mirrors everyplace, in a far corner a foul dribbling refrigerator that also buzzes loudly, in a stammering rhythm, as if providing a play-by-play on the hijinks in progress.
A young man, medium-long haircut, naked except for a dirt-glazed ball cap, an erection pointed at the camera. A woman’s voice from outside camera range, “Tell them your name, baby.”
“Bruno,” almost defensive.
An ingenue in cowgirl boots and an evil grin, tattoo of a scorpion just above her ass, some time since her last shampoo, television screenlight reflecting off of a pale and zaftig body, introduces herself as Shae. “And this here is Westchester Willy, say hi to the VCR, Willy.”
Nodding hello at the edge of the frame is a middle-aged, out-of-shape party who from mug shots faxed up to her from John Street Maxine recognizes as Vip Epperdew. Fast zoom in on Vip’s face, with a look of undisguisable yearning, which he quickly tries to reset to standard party mode.
Gusts of laughter from topside. Bruno’s hand comes into the shot with a butane lighter and a crack pipe, and the threesome now become affectionate.
Jules and Jim (1962) it isn’t. Talk about double-entry bookkeeping! As erotic material, there are shortcomings, to be sure. Boy and girl quality could do with an upgrade, Shae is a jolly enough girl, maybe a little vacant around the eyes, Vip is years overdue for some gym time, and Bruno comes across as a horny little runt with a tendency to shriek and a dick, frankly, not big enough for the scenario, provoking expressions of annoyance from Shae and Vip whenever it approaches them for any purpose. Maxine is surprised to feel an unprofessional pulse of distaste for Vip, this needy, somehow groveling yup. If the other two are supposed to be worth the long schlep from Westchester, hours on the LIE, an addiction supposedly less negotiable than crack, not to their youth but to the single obvious thing their youth is good for, then why not kids who can pretend at least that they know what they’re doing?
But wait. She realizes these are yenta reflexes, like, please Vip, you can do so much better, so forth. Doesn’t even know him, already she’s criticizing his sex-partner choices?
Her attention drifts back into a shot of them getting dressed again while chatting animatedly. What? Maxine’s pretty sure she stayed awake, but it seems there was no money shot, instead, at some point, this has begun to diverge from canonical porn into, aaahh! improv! yes, they are now giving themselves lines, with deliveries of the sort that drive high-school drama teachers to drug abuse. Cut away to a close-up of Vip’s credit cards, all laid out like a fortune-teller’s tableau. Maxine pauses the tape, runs it back and forth, writing down what numbers she can, though the low resolution blurs some of them. The three get into a sub-vaudeville routine with Vip’s plastic, handing the cards back and forth, passing witty remarks about each one, all except for a black card that Vip keeps flashing at Shae and Bruno, causing them to recoil in exaggerated horror like teen vampires from a bulb of garlic. Maxine recognizes the fabled AmEx “Centurion” card, which you have to charge at least $250K a year on or they take it away from you.
“You guys allergic to titanium?” Vip playfully, “c’mon, you afraid there’s a chip in it, some lowlife detector gonna trigger a silent alarm on you guys?”
“Mall security don’t scare me,” Bruno all but whining, “been outrunning those ’suckers all my life.”
“I just show em some skin,” Shae adds, “they like that.”
Shae and Bruno head out the door, and Vip collapses back on the phony angora. Whatever he’s tired from, this ain’t an afterglow.
“On to the Tanger Outlets, fuck yeah,” cries Bruno.
“Anything we can get you, Vippy?” Shae over her shoulder with one of those Are-you-looking-at-my-ass-again? smiles.
“Off,” Vip mutters, “would be nice sometime.”
The camera stays on Vip till he turns to face it, resentful, reluctant. “Not too happy tonight, are we, Willy?” inquires a voice from behind it.
“You noticed.”
“You have the look of a man things are closing in on.”
Vip shifts his eyes away and nods, miserable. Maxine wonders why she ever quit smoking. The voice, something about the voice is familiar. Somehow she’s heard it on television, or something close to it. Not a specific person, but a type of voice, maybe a regional accent . . .
Where could this tape have come from? Somebody who wants Maxine to know about Vip’s household arrangements, some invisible Mrs. Grundy with a strong disapproval of threesomes? Or somebody closer, say more of a principal in the matter, maybe even a party to Vip’s skimming activities. One of those Disgruntled Employees again? What would Professor Lavoof say beyond his trademark, “There has to be a world off the books”?
Same old sad template here—by now there’s an unfriendly clock on Vip’s affairs, maybe he’s already kiting checks, wife and kids as usual totally without clue. Does it ever end well? Ain’t like it’s jewel thieves or other charming scoundrels, there’s nothing and nobody these fraudfeasors won’t betray, the margin of safety goes on dwindling, one day they’re overcome by remorse and either run away from their lives or commit terminal stupidity.
“Slow-Onset Post-CFE Syndrome, girl. Can’t you allow for at least one or two honest people here and there?”
“Sure. Someplace. Not on my daily beat, however, thanks all the same.”
“Pretty cynical.”
“How about ‘professional’? Go ahead, wallow in hippie thoughts if you want, meantime Vip is floating out to sea and nobody’s told Search and Rescue about it.”
Maxine rewinds, ejects, and, returning to realworld television programming, begins idly to channel-surf. A form of meditating. Presently she has thumbed her way into what seems to be a group-therapy session on one of the public-access channels.
- Предыдущая
- 40/106
- Следующая
