Collected Poems 1947-1997 - Ginsberg Allen - Страница 21
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and dreaming, in the absence
of electricity …
over and over eating the low root
of the asphodel,
gray fate …
rolling in generation
on the flowery couch
as on a bank in Arden—
my only rose tonite’s the treat
of my own nudity.
Fall 1953
My Alba
Now that I’ve wasted
five years in Manhattan
life decaying
talent a blank
talking disconnected
patient and mental
sliderule and number
machine on a desk
autographed triplicate
synopsis and taxes
obedient prompt
poorly paid
stayed on the market
youth of my twenties
fainted in offices
wept on typewriters
deceived multitudes
in vast conspiracies
deodorant battleships
serious business industry
every six weeks whoever
drank my blood bank
innocent evil now
part of my system
five years unhappy labor
22 to 27 working
not a dime in the bank
to show for it anyway
dawn breaks it’s only the sun
the East smokes O my bedroom
I am damned to Hell what
alarmclock is ringing
New York, 1953
Sakyamuni Coming Out from the Mountain
Liang Kai, Southern Sung
He drags his bare feet
out of a cave
under a tree,
eyebrows
grown long with weeping
and hooknosed woe,
in ragged soft robes
wearing a fine beard,
unhappy hands
clasped to his naked breast—
humility is beatness
humility is beatness—
faltering
into the bushes by a stream,
all things inanimate
but his intelligence—
stands upright there
tho trembling:
Arhat
who sought Heaven
under a mountain of stone,
sat thinking
till he realized
the land of blessedness exists
in the imagination—
the flash come:
empty mirror—
how painful to be born again
wearing a fine beard,
reentering the world
a bitter wreck of a sage:
earth before him his only path.
We can see his soul,
he knows nothing
like a god:
shaken
meek wretch—
humility is beatness
before the absolute World.
New York Public Library, 1953
Havana 1953
I
The night cafe—4 A.M.
Cuba Libre 20c:
white tiled squares,
triangular neon lights,
long wooden bar on one side,
a great delicatessen booth
on the other facing the street.
In the center
among the great city midnight drinkers,
by Aldama Palace
on Gomez corner,
white men and women
with standing drums,
mariachis, voices, guitars—
drumming on tables,
knives on bottles,
banging on the floor
and on each other,
with wooden clacks,
whistling, howling,
fat women in strapless silk.
Cop talking to the fat-nosed girl
in a flashy black dress.
In walks a weird Cezanne
vision of the nowhere hip Cuban:
tall, thin, check gray suit,
gray felt shoes,
blaring gambler’s hat,
Cab Calloway pimp’s mustachio
—it comes down to a point in the center—
rushing up generations late talking Cuban,
pointing a gold-ringed finger
up toward the yellowed ceiling,
other cigarette hand pointing
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