River god - Smith Wilbur - Страница 21
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Before the pageant could begin, we were obliged to endure a succession of flowery speeches, firstly from the local functionaries and government ministers, and then from the grand vizier in person. This interlude of speechifying gave me the opportunity to make certain that all the arrangements for the pageant were perfect. I went from tent to tent, checking the costumes and the make-up of each of my actors, and soothing last-minute attacks of temperament and stage-fright.
The unfortunate Tod was nervously dreading the possibility that his performance might not please my Lord Intef. I was able to assure him that it most certainly would, and then I administered to him a draught of the Red Shepenn, which would deaden the pain that he was about to have inflicted lipon him.
When I came to Rasfer's tent he was drinking wine with two of his cronies from the palace guard and, with a whetstone, laying an edge on his short bronze sword. I had created his make-up to render him even more repulsive, which was not an easy feat given the high plateau of ugliness from which we started. I realized how well I had succeeded as he leered at me with blackened teeth and offered me a cup of the wine.
'How does your back feel now, pretty, boy? Have a taste of a1 man's drink! Perhaps it will give you balls again.' I am accustomed to his taunts and I kept my dignity as I told him that my Lord Intef had countermanded the abbot's orders and that the first act was to be played out in the original form.
'I have spoken to Lord Intef already.' He held up the sword. 'Feel the edge, eunuch. I want to make certain that it meets with your approval.' I left him feeling a little queasy.
Although Tanus would not be on stage until the second act, he was already in costume. Relaxed and smiling, he clasped my shoulder. 'Well, old friend, this is your opportunity. After this evening your fame as a playwright will spread throughout Egypt.'
'As yours has already. Your name is on every lip,' I told him, but he laughed it away with careless modesty as I went on, 'Do you have your closing declamation prepared, Tanus? Would you like to recite it to me now?'
Traditionally, the actor who played Horus would close the pageant with a message to Pharaoh, ostensibly from the gods but in reality from his own subjects. In olden times this had been the one occasion during the year when the populace, through the agency of the actor, could bring to the king's notice matters of concern which they were not able to address to him at any other time. However, during the rule of this last dynasty of kings the tradition had fallen away, and the closing speech had become merely another eulogy to the divine pharaoh.
For days past I had been asking Tanus to rehearse his speech for me, but every time he had put me off with excuses so lame that I was by now thoroughly suspicious of his intentions. "This is the last opportunity,' I insisted, but he laughed at me.
'I have decided to let my speech be as much a surprise to you as I hope it will be to Pharaoh. That way you should both enjoy it more.' And there was nothing I could do to persuade him. At times he can be far and away the most headstrong and obstinate young ruffian I have ever encountered. I left him in not a little dudgeon, and went to find more convivial company.
As I stooped in throughjhe entrance of Lostris' dressing-tent, I froze with shock. Even though I had designed her costume myself and instructed her handmaidens as to exactly how I wanted her powder and rouge and eye-paint applied, still I was not prepared for the ethereal vision that stood before me now. For a moment I was convinced that another miracle had taken place and that the goddess had indeed risen up from the underworld to take my mistress's place. I gasped aloud and had actually begun to sink to my knees in superstitious awe when my mistress giggled and roused my from my delusion.
'Isn't this fun? I cannot wait to see Tanus in full costume. I am sure he must look like the god himself.' She turned slowly to allow me to appraise her own costume, smiling at me over her shoulder.
'No more godlike than you, my lady,' I whispered. 'When will the play begin?' she demanded impatiently. 'I am so excited that I can wait no longer.'
I cocked my ear to the panel of the tent and listened for a moment to the drone of the speeches in the great hall. I realized that this was-the final oration and that at any moment my Lord Intef would call upon my players to perform.
I took Lostris' hand and squeezed it. 'Remember the long pause and the haughty look before you begin your opening speech,' I cautioned her, and she slapped my shoulder playfully.
'Away with you, you old fuss-pot, it will all go perfectly, you'll see.' And at that moment I heard my Lord Intef's voice raised.
'The divine god Pharaoh Mamose, the Great House of Egypt, the Support of the Realm, the Just, the Great, the All-Seeing, the All-Merciful?' The titles and honorifics continued while I hurried out of Lostris' tent and made my way to my opening position behind the central pillar. I peered around the column and saw that the inner courtyard of the temple was packed and that Pharaoh and his senior wives sat in the front rank on low benches of cedar wood, sipping cool sherbet or nibbling dates and sweetmeats.
My Lord Intef was addressing them from the front of the raised platform below the altar that was our stage. The main body of the stage was still .hidden from the audience by the linen curtains. I surveyed it for one last time, although it was too late to do anything further about it now.
Behind the curtains the set was decorated with palms and acacia trees that the palace gardeners had transplanted under my instruction. My masons had been taken from the work on the king's tomb to build a stone cistern at the back of the temple from which a stream could be diverted across the stage to represent the river Nile.
At the rear of the stage, hanging from floor to ceiling, were tightly stretched sheets of linen on which the artists from the necropolis had painted marvellous landscapes. In the half-light of the dusk and the flicker of the torches in "their brackets the effect was so realistic as to transport the beholder into a different world in a distant time.
There were other delights that I had prepared for Pharaoh's amusement, from cages of animals, birds and butterflies that would be released to simulate the creation of the world by the great god Ammon-Ra, to flares and torches that I had doctored with chemicals to burn with brilliant flames of crimson and green, and flood the stage with eerie light and smoke-clouds, like those of the underworld where the gods live.
'Mamose, son of Ra, may you be granted eternal life! We your loyal subjects, the citizens of Thebes, beg you to draw nigh and give your divine attention to this poor play that we dedicate to Your Majesty.'
My Lord Intef concluded his address of welcome and resumed his seat. To a fanfare of hidden rams' horns, I stepped out from behind the pillar and faced the audience. They had endured discomfort and boredom on the hard flagstones, and by now were ripe for the entertainment to begin. A raucous cheer greeted my entrance and even Pharaoh smiled in anticipation.
I held up both hands for silence, and only when it was total did I begin to speak my overture.
'While I walked in the sunlight, young and filled with the vigour of youth, I heard the fatal music in the reeds by the bank of the Nile. I did not recognize the sound of this harp, and I had no fear, for I was in the full bloom of my manhood and secure in the affection of my beloved.
'The music was of surpassing beauty. Joyously I went to find the musician, and could not know that he was Death and that he played his harp to summoame alone.' We Egyptians are fascinated by death, and I had at once touched a deep chord within my audience. They sighed and shuddered.
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