Aztec - Jennings Gary - Страница 60
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May Our Lord God preserve the life and expand the kingdom of Your Sacred Majesty for many years to come, is the sincere prayer of Your S.C.C.M.'s Bishop of Mexico,
(ecce signum) Zumarraga
QUINTA PARS
My little slave boy Cozcatl welcomed me back to Texcoco with unfeigned delight and relief, because, as he told me, Jadestone Doll had been exceedingly vexed at my going on holiday, and had taken out her ill humor on him. Though she had an ample staff of serving women, she had appropriated Cozcatl as well, and had kept him drudging for her, or running at a trot, or standing still to be whipped, all the while I had been away.
He hinted at the ignobility of some of the errands and chores he had done for her, and also, at my prompting, finally disclosed that the woman named Something Delicate had drunk corrosive xocoyatl upon her next summons to the lady's chambers—and had died there, foaming at the mouth and convulsed with pain. Ever since the suicide of Something Delicate, somehow still unknown outside those precincts, Jadestone Doll had had to depend, for her clandestine entertainments, on partners procured by Cozcatl and the maids. I gathered that those partners had been less satisfactory than what I had hitherto provided. But the lady did not immediately press me into service again, or even send a slave across the corridor to convey a greeting, or give any sign that she knew or cared about my having returned. She was involved with the Ochpanitztli festivities, which of course were in progress in Texcoco as they were everywhere else.
Then, when that celebration was over, Tlatli and Chimali arrived at the palace as scheduled, and Jadestone Doll occupied herself with getting them quartered, making sure that their studio was supplied with clay and tools and paints, and giving them detailed instructions regarding the work they were to do. I deliberately was not present at their arrival. When, a day or two later, we accidentally met in a palace garden, I gave them only a curt salute, to which they replied with a diffident mumble.
Thereafter I encountered them quite frequently, as their studio was situated in the cellars under Jadestone Doll's wing of the palace, but I merely nodded as I passed. They had by then had several interviews with their patroness, and I could see that their earlier exultation about their work had dissipated considerably. They were, in fact, now looking nervous and fearful. They obviously would have liked to discuss with me the precarious situation in which they found themselves, but I coldly discouraged any approaches.
I was busy with a job of my own: doing one particular drawing which I intended to present to Jadestone Doll when she finally should summon me to her presence, and that was a difficult project I had set myself. It was to be the most irresistibly handsome drawing of a young man I had yet done, but it also had to resemble a young man who really existed. I made and tore up many false starts and, when I at last achieved a satisfactory sketch, I spent still more time reworking and elaborating on it until I had a finished drawing that I was confident would fascinate the girl queen. And it did.
"Why, he is beyond handsome, he is beautiful!" she exclaimed when I gave it to her. She studied it some more and murmured, "If he were a woman, he would be Jadestone Doll." She could pay no higher compliment. "Who is he?"
I said, "His name is Joy."
"Ayyo, and it should be! Where did you find him?"
"He is the Crown Prince of my home island, my lady. Pactlitzin, son of Tlauquecholtzin, the tecutli of Xaltocan."
"And when you saw him again, you thought of me, and you drew his likeness for me. How sweet of you, Fetch! I almost forgive your deserting me for so many days. Now go and get him for me."
I said truthfully, "I fear he would not come at my behest, my lady. Pactli and I bear a mutual grudge. However—"
"Then you do not do this for his benefit," the girl interrupted. "I wonder why you should do it for mine." Her depthless eyes fixed on me suspiciously. "It is true that I have never mistreated you, but neither have you cause to feel great affection for me. Then why this sudden and unbidden generosity?"
"I try to anticipate my lady's desires and commands."
Without comment, she pulled on the bell rope and, when a maid responded, ordered that Chimali and Tlatli be brought to join us. They came, looking trepid, and Jadestone Doll shoved the drawing at them. "You two also come from Xaltocan. Do you recognize this young man?"
Tlatli exclaimed, "Pactli!" and Chimali said, "Yes, that is the Lord Joy, my lady, but—
I threw him a look that shut his mouth before he could say, "But the Lord Joy never looked so noble as that." And I did not mind that Jadestone Doll intercepted my look.
"I see," she said archly, as if she had caught me out. "You two may go." When they had left the room, she said to me, "You mentioned a grudge. Some squalid romantic rivalry, I suppose, and the young noble bested you. So you cunningly arrange one last assignation for him, knowing it will be his last."
Pointedly looking beyond her, at Master Pixquitl's statues of the swift-messenger Yeyac-Netztlin and the gardener Xali-Otli, I put on a conspirator's smile and said, "I prefer to think that I am doing a favor for all three of us. My lady, my Lord Pactli, and myself."
She laughed gaily. "So be it, then. I daresay I owe you one favor by now. But you must get him here."
"I took the liberty of preparing a letter," I said, producing it, "and on a royally fine fawnskin. The usual instructions: midnight at the eastern gate. If my lady will put her name to it and enclose the ring, I can almost guarantee that the young prince will come in the same canoe that delivers it."
"My clever Fetch!" she said, taking the letter to a low table on which were a paint pot and a writing reed. Being a Mexicatl girl, of course she could not read or write, but, being a noble, she could at least make the symbols of her name. "You know where my private acali is docked. Take this to the steersman and tell him to go at dawn. I want my Joy tomorrow night."
Tlatli and Chimali had waited in the corridor outside, to waylay me, and Tlatli said in a quavering voice, "Do you know what it is you are doing, Mole?"
Chimali said, in a slightly steadier voice, "Do you know what could be in store for the Lord Pactli? Come and look."
I followed them down the stone stair to their stone-walled studio. It was well appointed but, being underground, lighted day and night by lamps and torches, it felt very like a dungeon. The artists had been working simultaneously on several statues, two of which I recognized. The one of the slave, I Will Be of Greatness, was already sculptured full length, life size, and Chimali had started painting the clay with his specially concocted paints.
"Very lifelike," I said, and meant it. "The Lady Jadestone Doll will approve."
"Oh, well, capturing the likeness was not difficult," Tlatli said modestly. "Not when I could work from your excellent drawing and mold the clay upon the actual skull."
"But my pictures show no colors," I said, "and even the Master Sculptor Pixquitl has been unable to recreate those. Chimali, I applaud your talent."
I meant that, too. Pixquitl's statues had been done in the usual flat colors: a uniform pale copper for all exposed skin surfaces, an unvarying black for the hair, and so on. Chimali's skin tones varied as do those on a living person: the nose and ears just the least bit darker than the rest of the face, the cheeks a little more pink. Even the black of the hair glinted here and there with brownish lights.
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